Cruz campaign still facing copyright and breach of contract liability over songs used in political ads

Court denies motion to dismiss copyright and breach of contract claims over songs used in YouTube and TV political ads.

Months after Ted Cruz ended his presidential bid, his campaign, and the advertising company hired to create ads for the campaign, still face liability over two songs used in YouTube and television ads. A federal court in Washington state has denied the defendants’ motion to dismiss copyright infringement and breach of contract claims brought against them.

An employee of the Cruz campaign’s advertising company allegedly downloaded two songs from Audiosocket, and then used those songs in two separate campaign ads. Audiosocket and the copyright holders sued for infringement and breach of the licensing agreements under which the songs were provided.

The court rejected the defendants’ arguments. It held that the plaintiffs had adequately pled the existence of their copyright registrations, and that the claims for breach of the licensing agreement were not preempted by the Copyright Act. Because the licensing agreement expressly prohibited the songs to be used for political purposes, the breach of contract claims were not “equivalent” to a copyright infringement claim, and therefore not subject to preemption under 17 USC 301.

The case is a reminder of the risks that companies and organizations face when hiring outside vendors to procure and create content. The hiring party should seek, at minimum, to ensure that the vendor has obtained the appropriate rights in the content it will integrate into the deliverables provided under the arrangement. And the vendor should utilize appropriate internal protocols and form documents to help ensure that the content it provides to its customer does not infringe. That kind of diligence will help avoid unpleasant situations between vendor and customer that arise when third parties claim against both of them that intellectual property rights have been infringed.

Leopona, Inc. v. Cruz For President, 2016 WL 3670596 (W.D. Washington, July 11, 2016)

No statutory damages in online copyright case where infringement continued after copyright registration

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If a copyright infringement begins before the plaintiff registers its copyright, and continues after the date of registration, can the plaintiff recover its attorney’s fees and statutory damages for the infringement that occurs after registration? The U.S. District Court for the Southern District of Indiana recently considered that question in the case of Bell v. Turner, 2016 WL 1270221 (S.D. Ind. March 31, 2016).

The prospect of recovering statutory damages and attorney’s fees is a big motivator for copyright plaintiffs. The Copyright Act (at 17 U.S.C. § 504(c)(1)) provides that a plaintiff can receive an award of statutory damages — in lieu of actual damages and profits — in a sum not less than $750 or more than $30,000 for each infringement. If the copyright infringement is willful, “the court in its discretion may increase the award of statutory damages to an award of not more than $150,000.” And 17 U.S.C. § 505 provides that a successful party in a copyright action can recover its costs and attorney’s fees in the court’s discretion.

But statutory damages and attorney’s fees are only available if certain conditions are met. The Copyright Act precludes a plaintiff from obtaining statutory damages and attorney’s fees if the infringement of the work commenced after publication but before registration. The Copyright Act provides, at 17 U.S.C. § 412(2), that “no award of statutory damages or attorney’s fees…shall be made for…any infringement of copyright commenced after first publication of the work and before the effective date of its registration, unless such registration is made within three months after the first publication of the work”.

In Bell v. Turner, the court granted summary judgment to the defendant on the issue of whether plaintiff was entitled to recover statutory damages and attorney’s fees. Plaintiff first published his photo of the Indianapolis skyline online in 2000. In 2009, defendant copied the photo and placed it on his website. In 2011, plaintiff registered the copyright in the work, but defendant left his copy of the photo online, even after the work was registered.

In granting summary judgment to defendant, the court cited to Derek Andrew, Inc. v. Poof Apparel Corp., 528 F.3d 696 (9th Cir. 2009) and observed that “the first act of infringement in a series of ongoing infringements of the same kind marks the commencement of one continuing infringement under § 412.” Because the defendant posted the photo online more than three months before the date plaintiff registered the work, plaintiff was not entitled to recover statutory damages or attorney’s fees, even though the infringement continued after the date of registration.

Bell v. Turner, 2016 WL 1270221 (S.D. Ind. March 31, 2016)


Evan_BrownAbout the Author: Evan Brown is a Chicago technology and intellectual property attorney. Call Evan at (630) 362-7237, send email to ebrown [at] internetcases.com, or follow him on Twitter @internetcases. Read Evan’s other blog, UDRP Tracker, for information about domain name disputes.

Website operator not liable for copyright infringement despite lack of DMCA safe harbor protection

Online platforms that allow user-generated content should take advantage of the safe harbor provisions of the Digital Millennium Copyright Act (DMCA), which protect the platform in the event of a third party claim of copyright infringement over the user-generated content. But the recent case of BWP Media USA, Inc. v. T&S Software Associates, Inc., 2016 WL 1248908 (N.D. Tex., March 25, 2016) shows that a platform may still avoid liability for infringement even if it has not availed itself of the benefits of the DMCA.

Plaintiff copyright holders sued defendant online forum board operator for direct and vicarious copyright infringement, over photos uploaded by users of the online forum board. Defendant moved for summary judgment. The court granted the motion. The defendant successfully defeated these claims of copyright infringement even though it had not met the DMCA safe harbor requirement of designating an agent with the Copyright Office to receive takedown notices.

Direct Infringement

The court found there was no triable issue on plaintiffs’ claim that defendant was liable for direct infringement, because the parties did not dispute that defendant played no direct role in uploading the photos. Citing the seminal case of Religious Tech. Ctr. v. Netcom OnLine Comm’cn Servs., 907 F, Supp. 1361 (N.D.Cal. 1995), the court observed that “making an internet company liable for direct copyright infringement simply because it gave users access to copyrighted material posted by others would create unreasonable liability.”

Vicarious Liability

A defendant may be vicariously liable for copyright infringement where it “profits directly from the infringement and has a right and ability to supervise the direct infringer, even if the defendant initially lacks knowledge of the infringement.” Metro-Goldwyn-Mayer Studios, Inc. v. Grokster, Ltd., 545 U.S. 913, 930 (2005). In this case, the court found that although plaintiffs contended that (1) the copyrighted photographs were displayed alongside paid advertising, (2) defendant received revenue from the paid advertising on its forum, and (3) the revenue received was based, in part, on the website traffic, plaintiff failed to point to any evidence in the record showing that defendant directly profited from the infringing conduct.

Observation: DMCA Safe Harbor Not Needed Here

Online service providers that make their platforms available for the storage of user-generated content (even if such ability is trivial, e.g., allowing users to upload profile pictures) are encouraged to take the appropriate steps to place the service provider within the protections of DMCA safe harbor. These steps include providing appropriate information in the platform’s terms of service, employing internal processes to handle takedown requests and repeat infringers, having a plan in place for dealing with counternotifications, and designating an agent with the Copyright Office to receive takedown notices. Being in the safe harbor means that the service provider has an affirmative defense if it is sued by a third party copyright holder for infringement causaed by the platform’s users.

Many have mistakenly believed that if a service provider fails to get safe harbor protection, it is automatically liable for infringement occasioned by user generated content uploaded to the service. That is not true, and the BWP Media case serves as an example. A copyright-owning plaintiff must still establish the elements of infringement against the service provider — whether for direct infringement or under a theory of secondary liability (like vicarious infringement) — even if the defendant does not find itself within the DMCA safe harbor.

BWP Media USA, Inc. v. T&S Software Associates, Inc., 2016 WL 1248908 (N.D. Tex., March 25, 2016)


Evan_BrownAbout the Author: Evan Brown is a Chicago technology and intellectual property attorney. Call Evan at (630) 362-7237, send email to ebrown [at] internetcases.com, or follow him on Twitter @internetcases. Read Evan’s other blog, UDRP Tracker, for information about domain name disputes.

Digital locker service not liable for copyright infringement based on user download of unlicensed ebook

digital locker

A boon for cloud service providers: Court decision protects locker service from infringement over user’s storage and downloading of unlicensed copy of ebook.

Plaintiff-author granted a license to defendant-digital locker service, authorizing users of defendant’s services to store and download sample copies of plaintiff’s ebook. Plaintiff later terminated the license. On two separate occasions, one of defendant’s customers — who had acquired a sample copy of the ebook during the license period — downloaded her sample copy from defendant’s locker storage service and onto her e-reader device. Plaintiff filed suit, claiming these post-license termination customer downloads amounted to direct and contributory infringement by the file locker service.

Both parties moved for summary judgment. The court granted defendant’s motion and denied plaintiff’s motion.

As to the question of direct infringement, the court relied heavily on Cartoon Network v. CSC Holdings, 536 F.3d 121 (2nd Cir. 2008) to hold that a lack of evidence of defendant’s “volitional conduct” in distributing and reproducing the downloaded copies precluded a claim for direct infringement. Quoting from Capitol Records v. ReDigi, 934 F.Supp.2d 640 (S.D.N.Y. 2013), the court found that defendant “did not have a ‘fundamental and deliberate role,” such that it was transformed ‘from a passive provider of a space in which infringing activities happened to occur to an active participant in the process of copyright infringement.’”

Plaintiff’s contributory infringement claim failed under the “substantial noninfringing uses” test (the “Sony-Betamax Rule”) set out in Sony v. Universal, 464 U.S. 417 (1984). The court held that defendant could not be held liable for contributory infringement because its digital locker systems was capable of substantial non-infringing uses, and indeed was used for commercially significant noninfringing uses.

Smith v. BarnesandNoble.com, No. 2015 WL 6681145 (S.D.N.Y. Nov. 2, 2015)

Evan Brown is a Chicago attorney helping clients in matters dealing with copyright, technology, the internet and new media. Call him at (630) 362-7237, send email to ebrown [at] internetcases dot com, or follow him on Twitter @internetcases

Photo courtesy of Flickr user Alex Thomson under this Creative Commons license.

Is a DMCA subpoena to identify unknown infringers valid if the infringement has ended?

The Digital Millennium Copyright Act (“DMCA”) is well-known for its notice and takedown provisions. But the DMCA provides a number of other interesting mechanisms, including a procedure for potential copyright plaintiffs to send subpoenas to online service providers to learn the identity of users who posted infringing content to that service. A recent case involving some subpoenas that a copyright owner sent to eBay examines the relationship between the notice and takedown procedures on one hand, and the subpoena mechanism on the other. The question before the court was whether a DMCA subpoena is valid if, by the time it is served on the online service provider, that online service provider has already removed or has disabled access to that content.

Section 512(h) (17 U.S.C. 512(h)) spells out the DMCA subpoena process, and how it relates to the notice and takedown provisions. An online service provider must act expeditiously to identify the user who uploaded infringing content “[u]pon receipt of the issued subpoena, either accompanying or subsequent to the receipt of a [takedown request].” That plain language seems straightforward — an online service provider has to provide the identifying information in response to any subpoena it receives either with or subsequent to a takedown notice.

But it was not so straightforward in a 2011 case, where some confusing facts made for some confusing law. In Maximized Living, Inc., v. Google, Inc., 2011 WL 6749017 (N.D. Cal. December 22, 2011), the copyright holder sent a subpoena to the online service provider after the copyright holder had sent a DMCA takedown notice. That would appear to comport with the statute — the subpoena came subsequent to the takedown notice. But the problem in that case was that the takedown notice was not valid. By the time it was sent, the alleged infringer had already removed the infringing content. From that, the Maximized Living case pronounced that “the subpoena power of §512(h) is limited to currently infringing activity and does not reach former infringing activity that has ceased and thus can no longer be removed or disabled.”

In the recent case of In re DMCA Subpoena to eBay, Inc., eBay, as the recipient of subpoenas to identify some of its users, picked up on the Maximized Living holding to argue that it did not have to answer the subpoenas because it had already taken down the offending content pursuant to previous takedown notices. Since the subpoenas did not relate to “currently infringing activity,” eBay argued à la Maximized Living, that the subpoenas had not been issued under §512(h)’s power and were therefore invalid.

The court rejected eBay’s argument. The key distinction in this case was that, unlike in Maximized Living, the takedown notices in this case, when they issued, related to content that was on the eBay servers at the time the takedown notices were issued. Granted, some of those takedown notices went all the way back to early 2012 (query whether the subpoena should be valid if it would only uncover the identity of an infringer for whom the 3-year copyright statute of limitations had passed; but that wasn’t before the court).

So to simply state the rule in this case — for a DMCA subpoena to be valid, it has to relate to a valid DMCA takedown notice. That DMCA takedown notice is not valid unless it was served at a time when infringing content resided on the service. An online service provider cannot avoid the obligation of responding to a subpoena by taking down the content, thereby causing there to be no “currently infringing activity”. Such a rule would, as the court observed, cause the online service provider’s safe harbor protection to also shield the alleged infringer from being identified. That would indeed be an odd application of the DMCA’s protection. The court in this case avoided that outcome.

In re DMCA Subpoena to eBay, Inc., 2015 WL 3555270 (S.D. Cal. June 5, 2015).

Evan Brown is a Chicago attorney helping clients in matters dealing with copyright, technology, the internet and new media. Call him at (630) 362-7237, send email to ebrown [at] internetcases dot com, or follow him on Twitter @internetcases

Photo courtesy of Flickr user Thomas Galvez under this Creative Commons license.

GitHub jeopardizes its DMCA safe harbor status by launching its new policy

GitHub has baked in some feelgood to its new DMCA takedown policy. The new setup features clearer language, a refusal to automatically disable all forks of an allegedly infringing repository, and a 24-hour window in which the target of a takedown notice may make changes. The mechanisms of this third point ought to cause one to consider whether GitHub is risking the protections of the DMCA safe harbor.

If a DMCA takedown notice alleges that only certain files (as opposed to the whole repository) infringe, under the new policy, GitHub “will contact the user who created the repository and give them approximately 24 hours to delete or modify the content specified in the notice.” If the user makes changes to the repository, the burden shifts back to the sender of the DMCA notice. This shifing-the-burden-back seems problematic under the DMCA.

GitHub’s policy says:

If the user makes changes, the copyright owner must review them and renew or revise their takedown notice if the changes are insufficient. GitHub will not take any further action unless the copyright owner contacts us to either renew the original takedown notice or submit a revised one. If the copyright owner is satisfied with the changes, they may either submit a formal retraction or else do nothing. GitHub will interpret silence longer than two weeks as an implied retraction of the takedown notice.

The DMCA protects a party in GitHub’s position so long as the party “responds expeditiously to remove, or disable access to, the material that is claimed to be infringing upon notification of claimed infringement”. Read that provision carefully — the response must be to take down, not merely take steps to work with the alleged infringer to make it right. GitHub’s new mechanism of interpreting silence as a retraction is not an expeditious removal of or disabling access to allegedly infringing material. Nothing in the DMCA requires the sender of the takedown notice to have to ask twice.

You’ve got to hand it to GitHub for trying to make the world a better place through this new policy. The intended net effect is to reduce the number of instances in which entire repositories are taken down simply because of a few allegedly infringing files. But GitHub is putting something of great value, namely, its DMCA safe harbor protection, at risk.

Many copyright plaintiffs look for every possible angle to pin liability. You can almost be certain that a copyright owner will challenge GitHub’s safe harbor status on the ground that GitHub did not respond expeditiously. It seems odd GitHub would be willing to toss a perfectly good affirmative defense. One would think the better approach would be to go ahead and take the repository down after 24 hours, rather than leaving it up and risk a finding on “non-expeditiousness”.

Related:

Microsoft letter to GitHub over DRM-free music software is not the first copyright-ironic action against an intermediary

Evan Brown is an attorney in Chicago advising clients on matters dealing with copyright, technology, the internet and new media.

YouTube has been a billion dollar boon to big media

This NBC News piece reports that since 2007, YouTube’s ContentID program has enabled copyright holders to monetize content posted to the service and get paid a billion dollars in the process. (Also included in the report is the staggering statistic that ContentID scans 400 years of content every day — we live in content-producing world of crazy proportions!)

So we see that with this kind of cash rolling in, it’s no wonder that Viacom finally came to its senses earlier this year when it decided to discontinue its litigation against YouTube. The billion dollar notion is also interesting — that’s the very amount Viacom sought when it filed suit in March 2007.

Copyright, not privacy, motivated Reddit to take down photos of nude celebrities

This VentureBeat piece with Reddit CEO Yishan Wong brings up a number of interesting facts concerning Reddit in the wake of its receiving an additional $50 million funding round. One of those pieces of interesting information concerns Reddit’s decision to take down a subreddit devoted to the sharing of recently-leaked celebrity nude photos.

Says Wong:

If there’s any confusion: [Reddit] did not shut down /r/TheFappening due to content linking to nude celebrity photos. The subreddit was shut down because users were reposting content already taken down due to valid DMCA requests, and because spammers began posting links to the images hosted on their own pay-per-click sites, or sites intended to spread malware.

We can’t read too much from this comment, but it does implicate that the dignitary interests of the celebrities involved did not motivate Reddit to do the right thing. Instead, the risk of copyright liability (or, more precisely, the risk that DMCA safe harbor protection may be eliminated) was a stronger motivation.

Evan Brown is an attorney in Chicago advising clients on matters dealing with technology, the internet and new media.

Microsoft letter to GitHub over DRM-free music software is not the first copyright-ironic action against an intermediary

TorrentFreak has reported that Microsoft demanded that GitHub take the code repository of an app that provides access to unprotected Xbox Music tracks. Some are calling it ironic, given that Microsoft is offering access to DRM-free music through its API.

The situation is reminiscent (though not legally identical) to the weirdness we observed way back in 2006 when YouTube asked TechCruch to take down a tool that allowed people to download video clips. We recognized early on that YouTube was a copyright renegade. So it was surprising that it would take such an aggressive tactic toward purveyors of software that would make use of copyrighted works easier.

The Microsoft of today is certainly not the YouTube of 2006. So naturally its interests are different. But comparing the two scenarios yields the common conundrum of how one company that wants to more smoothly make content available deals with other technologies and platforms that do the same thing, but cut out the main monetizing opportunity.

It could be a phenomenon of copyright’s outdatedness. Both YouTube and Microsoft took action against others who were distributing technologies that touched on infringement by means of making copies of the works. That will likely remain an important protection under copyright law even after meaningful reform. But what is really at stake is the right to access content. If that were a meaningful right under the Copyright Act, companies would be less likely to take enforcement actions that appear on the surface to be ironic.

Evan Brown is an attorney in Chicago advising clients on matters dealing with copyright, technology, the internet and new media.

When is news reporting fair use under copyright law?

Blogger claims fair use supports his challenge to DMCA takedown of YouTube video. But “news reporting” aspect of fair use can be tricky.

An embattled California pastor sent a DMCA takedown notice to YouTube over a video clip that a blogger used “to report accurately the relationship” between two organizations. The blogger sent a counternotification and explained that he believes copyright fair use protects him against the takedown (and apparently against infringement as well).

The blogger invokes, among other things, the news reporting aspect of fair use, which one finds set forth in Section 107 of the Copyright Act. A recent fair use case, Swatch Group Management Services Ltd. v. Bloomberg, 742 F. 3d 17 (2d Cir. 2014) might shed some interesting light on how news reporting plays into the analysis. In that case, the court found that defendant was protected by fair use when it distributed an audio recording of a company’s earnings call. Unlike many fair use cases, in which the analysis under the first factor (purpose and character of the use) becomes a question of whether the subsequent use is “transformative,” the court observes the following:

In the context of news reporting and analogous activities … the need to convey information to the public accurately may in some instances make it desirable and consonant with copyright law for a defendant to faithfully reproduce an original work rather than transform it.

A defendant may in some circumstances provide transformative material along with the faithful reproduction of an original work. But the absence of that transformative material will not disqualify a defendant from showing fair use:

[B]y disseminating not just a written transcript or article but an actual sound recording, [defendant] was able to convey with precision not only what [plaintiff’s] executives said, but also how they said it. This latter type of information may be just as valuable … as the former, since a speaker’s demeanor, tone, and cadence can often elucidate his or her true beliefs far beyond what a stale transcript or summary can show.

So we see that the news reporting aspect of fair use can be conceptually separated from transformative use.

There is a slippery slope risk here, and the court recognized that. It cited to the Supreme Court’s Harper & Row decision to observe that “[t]he promise of copyright would be an empty one if it could be avoided merely by dubbing the infringement a fair use ‘news report'”. In this case, however, the “independent informational value inherent in a faithful recording” carried the day. From this we see a rule or guide: use of a piece of content is more likely to be newsworthy if the piece of content itself, and not just the raw information within the content, is a news event.

Evan Brown is an attorney in Chicago advising clients on matters dealing with technology, the internet and new media.

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